b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.  Related Paintings of Albrecht Durer :. | Feast of the Rose Garlands | Head of an angel | Virgin Child before an Archway | The Birth of Venus Urania | The Madonna with the Monkey |
Related Artists:
Imre Amos
Imre Ámos (1907, Nagykv, 1944 or 1945, Germany) was a twentieth century Hungarian Jewish painter. Following his studies at the Technical University, Budapest from 1927 to 1929, he enrolled in the Art School where he was a pupil of Gyula Rudnay. He married Margit Anna, also a painter.
Alexei Venezianov
1780-1847
Edward Hicks
1780-1849 Edward Hicks (April 14, 1780 ?C August 23, 1849) was an American Folk painter, a distinguished minister of the Society of Friends, and he also became a Quaker icon because of his paintings. Edward Hicks was born in his grandfather's mansion at Langhorne, in Bucks County, Pennsylvania. He was born into a life of luxury, and his parents were both Anglican. After his mother passed away when he was eighteen months old, Matron Elizabeth Twining - a close friend of his mother's- raised him as one of her own. She also taught him the Quaker beliefs. This had a great effect on the rest of his life. At the age of thirteen he was an apprentice for coach makers William and Henry Tomlison. He stayed with them for seven years. His living situation inspired him to desire a much better way of life for himself. He wanted a simple, well respected life and to be able to earn his own wages. He wanted to be able to make choices for himself, in all that he did. It was then that he knew that something amusing and entertaining such as a career in art could satisfy his goals. He spent three years contemplating what his life meant to him, and grew a strong passion for art. His religious commitments affected his thoughts on living and art in many ways. In 1803, he married a Quaker woman named Sarah Worstall.